Methinks it is a token of healthy and gentle characteristics, when women of high thoughts and accomplishments love to sew; especially as they are never more at home with their own hearts than while so occupied.
Nathaniel Hawthorne, The Marble Faun, 1859A classic example of intentional imperfect exposure is when a photographer intentionally overexposes a portrait of an older woman by a full f-stop or more to minimize facial lines and wrinkles.
Canon EOS 50D Digital Field GuideThe photo has been lying around in one of my many boxes and folders for some time. I usually smile when I come across it - when looking for some other photo or when just tidying up.
Today it turned up again, but this time I turned it over and saw, for the first time, the writing on the back.
"Katie - at her Open Day at the Girls' School - showing her sewing (N.B. less of it than the other girls have). She was in the maypole dance and loved it. Will you return this photo and keep the other one. Love, Chris".
See Beatles Cinematic.
Mothers and daughters .... Strange why the writing on the back of the photo would bother me as much as it did. I must get all my 1950s photos together. There's something so very gray and depressing about them. I'll put them all together and throw away the key.
But today I was in a masochistic mood. I looked at each and everyone. Hoping to find something to contradict my vision of the black and white world of Australia in the fifties. Oh look, here's one of me and my brother on our way to the beach. We look more like we are fulfilling a duty rather than about to have FUN! And I still have that bloody aweful fringe!
We grew up. Times change.
From the fifties in black and white to color. I remember in 1964 when the Beatles came to Melbourne. I went to their concert. The world turned to color.
I've turned over the last fifties photo. I keep going.
I find a late photo of me and my brother. The fifties are behind us.
And we are actually smiling.